A collection of 254 windows is shown as an oversized projection above the arrangement of small ceramic figures, empty flowerpots, crocheted fabrics, and other objects. All the pictures were taken in Zurich quarter Frankental, Switzerland. On the one hand, I pursue a strategy of repetition, collecting a single type of images, the window, from a certain location. On the other hand, I investigate windows as a place of transition between private and public space in their cultural context.